Tag Archives: Center for Literary Publishing

  • The Center for Literary Publishing’s latest nonfiction anthology, Beautiful Flesh: A Body of Essays, will officially release May 15. The production team was Cedar Brant, Dana Chellman, Cory Cotten-Potter, Michelle LaCrosse, Morgan Riedl, and Stephanie G’Schwind. The book is available from CLP’s distributor, the University Press of Colorado, or via Amazon, barnesandnoble.com, powells.com, and elsewhere.
  • Cassie Eddington’s manuscript if the garden was one of seven finalists in Kelsey Street Press’s 2017 FIRSTS! competition. Her poems will be featured on Kelsey Street Press’s blog.
  • Tobi Jacobi will deliver an invited lecture on jail volunteer training and self-care at the University of Sheffield’s workshop on the Volunteer Sector in Criminal Justice in early June in Sheffield, UK.  The workshop launches an international, multidisciplinary network of researchers, practitioners and policymakers working in the criminal justice voluntary sector led by scholars at the Universities of Cambridge and Sheffield.
  • Lauren Matheny’s short story, “The Dark”, won honorable mention (second place) in the Third Coast 2017 Fiction Contest, chosen by Desiree Cooper 🙂 Lauren says, “Don’t know if that’s worthy of the newsletter, but I’m super excited!!”
  • David Mucklow’s poem “Leaving Sediment” was published in the most recent issue of Iron Horse Literary Review.
  • Kelly Weber has poems forthcoming or now appearing in Nebraska Poetry: A Sesquicentennial Anthology, The Flat Water Stirs: An Anthology of Emerging Nebraska Poets, Triggerfish, and Grasslimb.

Eddy 300 Lab
Summer Hours
May 15th– May, 19th, 2017
(Please stop by the English Department office
for access)
May 22nd-August 4th, 2017
10:00am-3:00pm

The Writing Center
Summer Hours
May 15th– August 3rd, 2017
10:00am-12:30pm
In Eddy Hall, Room 23
Online hours TBA

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  • Matthew Cooperman currently has new poems out in The Laurel Review and Saltfront, in print. Online, Mary: A Journal of New Writing, is featuring three of his poems at http://maryjournal.org/fall2016/?page_id=416
  • On Wednesday, April 5, Camille Dungy will present at the Newberry Library, Chicago as part of a panel in celebration of the centennial of poet and former US Poet Laureate Gwendolyn Brooks. As part of a citywide celebration of Gwendolyn Brooks marking the one-hundredth anniversary of her birth, the Newberry will gather poets, scholars, historians, and archivists to discuss the historical context of Brooks’ groundbreaking first book of poems, A Street in Bronzeville. Published in in August 1945—the same month that World War II ended—the collection expresses the rich complexities of life on Chicago’s South Side within the larger fight for democracy both at home and abroad. https://www.newberry.org/04052017-gwendolyn-brooks
  • Todd Mitchell attended and delivered a session on “Teaching Dystopian Fiction” at this year’s Colorado Teen Literature Conference in Denver.
  • Debbie Vance’s short story, “Choose Your Own,” was accepted for publication in the next issue of Black Warrior Review.
  • Steven Schwartz’s Madagascar: New and Selected Stories is a finalist for the Colorado Book Award for Literary Fiction and the Foreword Review Award for Short Stories.
  • Rico Moore, MFA Summer 2011 (Poetry), has had four poems (“Immanence of Star,” “Three Lyrics Composed of Words from Seneca’s Epistle, ‘On the God within Us,’” “When Awakened at Night by the Quiet,” and “What You’ve Unearthed from the Past,” appear in the journal, LVNG, number 17, online at https://lvngmagazine.files.wordpress.com/2017/03/lvng17.pdf.In addition, Rico has been a freelance writer for the past two years with Boulder Weekly. He writes about plans through which the Colorado Department of Parks and Wildlife hopes to kill mountain lions and bears in the name of boosting mule deer populations. His articles include “Off target: are mountain lions and bears about to be killed for the sins of the oil and gas industry?,” “Update: Commission asked to delay killing of mountain lions and bears in the name of sound science,” and “CPW and the oil and gas industry can’t have it both ways.”  An update, published Thursday, deals with an injunction filed by WildEarth Guardians.  You can read these articles online at http://www.boulderweekly.com/author/ricomoore/.
  • On March 27 at a ceremony at the Tishman Auditorium in New York, Natalie Scenters-Zapico accepted the PEN/Joyce Osterweil Award for Poetry for her book The Verging Cities, published by the Center for Literary Publishing as part of the Mountain West Poetry Series.

Rekindle the Classics 

The next Rekindle the Classics discussion will be on Wednesday, April 12, 6:30-8:30 pm at Wolverine Farms Publick House. MFA student Lauren Matheny will lead a discussion of Flaubert’s Madame Bovary. Rekindle the Classics brings together CSU English faculty and graduate students and lovers of literature in the Fort Collins community. For more information, see http://blog.poudrelibraries.org/2017/01/rekindle-a-love-of-the-classics/

English Department Writing Contests

The English department has FOUR different writing contests running right now. Check out the details here, and submit something!

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  • Sue Doe’s chapter, “What Works and What Counts: Valuing the Affective in Non Tenure-Track Advocacy,” co-authored with Maria Maisto and Janelle Adsit, was just published in Contingency, Exploitation, and Solidarity: Labor and Action in English Composition. Edited by Seth Kahn, William B. Lalicker, and Amy Lynch-Biniek.
  • Darcy Gabriel has happily accepted a place in the University of Minnesota’s PhD program in Rhetoric and Scientific and Technical Communication (RSTC) starting this fall.
  • SueEllen Campbell’s contribution to the post-election series “Letters to America” in Terrain.com appeared online last week at this link:  http://www.terrain.org/2017/guest-editorial/letter-to-america-campbell/.
  • The Verging Cities, by Natalie Scenters-Zapico—published by the Center for Literary Publishing as part of its Mountain West Poetry Series—has been awarded the 2017 PEN/Joyce Osterweil Award for Poetry. The award, for which the poet receives $5,000, is given in odd-numbered years and recognizes the high literary character of the published work to date of a new and emerging American poet of any age and the promise of further literary achievement. The book’s publishing team was Karen Montgomery Moore, Cedar Brant, Melissa Hohl, Katie Naughton, and Stephanie G’Schwind.
  • Airica Parker’s poem “Disjointed” appears in Central Michigan University’s Temenos: Skin Suits & Bare Bones online and in print. See it here for free on page 29: http://www.temenosjournal.com/current-edition.html
  • Mary Crow has had two poetry acceptances; “Beyond Tahrir” will be published by Hotel America and “Happiness Production Line” will be published by American Poetry Review.
  • Tirzah Goldenberg (MFA – Poetry, Summer 2013) has a recently published book of poetry, entitled Aleph, published by Verge Books.
  • Deanna Ludwin has been nominated for the 2017 Team Fort Collins Wellness & Prevention Lamplighter community service award.

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  • The Center for Literary Publishing is delighted to announce that The Verging Cities, by Natalie Scenters-Zapico, a 2015 Mountain West Poetry Series title, has won the Utah Book Award in Poetry. This is the second year in a row that a CLP title has won the award (last year it went to The Logan Notebooks, by Rebecca Lindenberg). Karen Montgomery Moore was the copyeditor; Cedar Brant, the proofreader; Katie Naughton, the typesetter; Melissa Hohl, the cover designer; and Stephanie G’Schwind and Donald Revell, the acquiring editors.
  • Debbie Vance’s short story, “Quartzsite,” won second prize in Blue Mesa Review‘s 2016 Summer Contest, judged by Jensen Beach. The story will be published in Issue #34 this November.

Colloquium 

Please join us Thursday, October 27, 7:00 pm, at the home of Louann & David Reid, for the fall semester colloquium, at which we gather, with fine appetizers and drinks in hand, to enjoy one another’s company and hear about the work that our colleagues are doing. All department faculty and graduate students are invited.

Here’s a preview of the evening:

Doug Cloud will present some in-progress work on how speakers conceal animus toward marginalized groups in public discourse. He’ll show the results from an analysis of recent “bathroom bill” and transgender-rights discourse, to show how speakers are able to make prejudicial claims about transgender people indirectly. Understanding and revealing these techniques can help us be smarter consumers and producers of public rhetoric.

Kristina Quynn will talk about the phases of CSU Writes so far: where it started last year, where it currently is, and where she sees it going. She will touch on the reasons she started CSU Writes (including her own research agenda), the writing productivity research and models of women’s collectives that guide its vision, and some of the wonderful success stories of graduate students and faculty who have participated in CSU Writes organized retreats, workshops, and writing groups.

It’s always a fabulous event, so please treat yourself and make time in your calendar. We look forward to seeing you there!

 

greyrockreview

Greyrock Review: Get your work published!

 

Fiction: 5,000 word limit, format should be double-spaced, 12 point Times New Roman or Galibri fonts. Two pieces of your best work may be submitted.

Nonfiction: 5,000 word limit, format should be double-spaced, 12 point Times New Roman or Calibri fonts. Two pieces of your best work may be submitted.

Poetry: Up to 5 poems may be submitted, each poem should be placed on a separate page in a single document. If poems have a visual formatting component, please use Adobe PDF files. Otherwise, Word (.doc files) are preferred.

Visual Arts: Any visual art form is accepted, excluding video. Please photography your work and submit digitally. 300 dpi and CMYK colored .TIFF file is preferred.

For more information please visit http://greyrockreview.colostate.edu or email Baleigh Greene at bmgreene@rams.colostate.edu

Submissions accepted from October 3, 2016 – December 16, 2016

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Colorado State University Center for Literary Publishing Director Stephanie G'Schwind talks with an intern about a project, April 2013. Image by CSU Photography.

Colorado State University Center for Literary Publishing Director Stephanie G’Schwind talks with an intern about a project, April 2013. Image by CSU Photography.

Congratulations to the Center for Literary Publishing (CLP) and the director Stephanie G’Schwind for receiving this prestigious honor!

Programs are awarded this designation because they have achieved great distinction and set a standard for excellence in research, teaching, and service that may serve as a model for programs throughout the institution and externally. Thus, the Program of Research and Scholarly Excellence (PRSE) designation will provide enhanced visibility and enable advocacy in the context of the larger research and training missions of CSU. An annual graduate fellowship allocation from the Graduate School will accompany the PRSE designation. Additional funds will be made available to PRSE-designated programs through an annual Office of the Vice President for Research (OVPR) competition mechanism.

Stephanie G’Schwind, the Center’s director and Editor in Chief of Colorado Review, applied for this honor, and we are very proud that her hard work and dedication to the Center have been recognized by CSU. Home of Colorado Review, the Colorado Prize for Poetry, the Nelligan Prize for Short Fiction, and the Mountain West Poetry Series, the Center for Literary Publishing’s mission is two-fold: to publish contemporary short fiction, poetry, and nonfiction and to offer graduate students the opportunities to learn about and participate in literary publishing through a professional internship. The Center was established in 1992 and is housed in the English Department at Colorado State University.

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  • Dan Beachy-Quick gave a reading in Salt Lake City for the University of Utah and the Utah Arts Council. A poem, “A Century of Meditation,” has been accepted for the Kenyon Review’s special issue on long lyric forms.
  • The Center for Literary Publishing received funding from the VPR’s FY2016 Quarterly Strategic Investment Process to support travel to this year’s Association of Writers and Writing Programs conference in Los Angeles, to be held at the end of March. Twelve graduate student interns will receive travel funds, as well as the director and two faculty editors.
  • Matthew Cooperman’s new book, Spool, winner of the New Measure Prize, has been released by Free Verse Editions/Parlor Press. Information re: the book can be found at http://www.parlorpress.com/freeverse/cooperman
  • Sue Doe’s article, ‘Affective Activism: Answering Institutional Productions of Precarity in the Corporate University,” and  coauthored with Janelle Adsit, Maria Maisto and others, was published in Feminist Formations (Volume 27, Issue 13, Winter 2015) and is now viewable via Project Muse: http://muse.jhu.edu/journals/feminist_formations/toc/ff.27.3.html
  • Sue Doe gave a presentation at the January 2016 Modern Language Association annual convention entitled “Academic Freedom for Contingent Faculty Members: Strategies for Establishing Due Process.”
  • Sue Doe’s workshop, “Don’t Throw Up Your Hands, Throw Up a Scene” has been accepted as part of the Spring 2016 LEAP (Leadership, Entrepreneurship, Arts Advocacy and the Public) Masters program in Arts Leadership and Administration.
  • Todd Mitchell’s graphic novel project Broken Saviors received a generous grant from Colorado Creative Industries and National Endowment for the Arts to continue producing issues of the story. Many thanks to all who have helped support this project. You can view the first 47 pages of the project at www.ToddMitchellBooks.com. Todd is traveling to several elementary and middle schools across the state this month (including a full day visit to McGraw Elementary in Fort Collins on February 10th) to run workshops and give presentations focused on promoting literacy and developing creativity.
  • Airica Parker is featured in CALYX Journal’s blog: https://calyxpress.wordpress.com/2016/01/22/identity-by-airica-parker/
  • Kristina Quynn’s article “’My Vagina Had Rewritten Joyce:’ Teaching Critical Engagement from Virginia Woolf to Shelley Jackson” has been accepted in the MLA’s options for teaching volume Teaching Modernist Women’s Writing in English.
  • Mir-Yashar Seyedbagheri’s 50 word fiction piece, “Procedures” has been accepted for publication at the *82 Review, in a special 50-word themed issue, to be released at some point between May and August.
  • For its commemorative issue, Pinyon magazine has selected Mary Crow’s poem, “And Though He’s Cut Out for Noble Acts.”
  • Black Warrior Review has accepted Mandy Rose’s lyric essay, Incident Checklist, for publication.

 

CSU Writes is honored to announce Dr. Joli Jensen—expert on faculty writers and writing programs—from University of Tulsa will guest present and lead workshops for graduate students and faculty writers.  Friday & Saturday, February 26 & 27 on the topics of PROTECTING TIME, SPACE AND ENERGY (graduate student), STALLED PROJECTS: FINDING WAYS TO MOVE AHEAD (faculty), and SEMESTER WRITING PLAN & LAUNCH (faculty).

If you are interested in the topic of faculty writers and faculty writing support, you are welcome to join Joli and Kristina on Thursday evening for conversation (more details to follow). Email Kristina at quynn@colostate.edu if you are interested.

CSU Writes fosters writing groups for faculty, graduate students, and creative/life-writers who write for publication or degree completion. CSU Writes also offers workshops, regular drop in writing sessions, and consultations. The Spring Workshop Schedule includes: INTRODUCTION TO WRITING GROUPS (Feb 3 & 4); CLOCKWORK MUSE WORKSHOP (Feb 9 & 10); JOLI JENSEN GUEST PRESENTER (Feb 26 & 27); and SUFFERING FROM JARGONITIS? (Apr 5 & 6).

More information on workshops and CSU Writes offerings can be found at: http://english.colostate.edu/csu-writes/

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ZambiaSummer2016

  • 2016 Summer Education Abroad Program in Zambia. Information Session TODAY! 12:00 pm, LSC 308. Read more about it here: http://english.colostate.edu/2016/01/2016-summer-education-abroad-program-zambia/
  • On Saturday, January 23rd, Doug Cloud gave a talk on the rhetoric of atheism at the annual Fort Collins Skepticamp, a gathering of local atheists, humanists and agnostics.
  • Camille Dungy is featured and quoted in the LA Review of Books essay, “Toward a Wider View of ‘Nature Writing'” January 10, 2016. https://lareviewofbooks.org/essay/toward-a-wider-view-of-nature-writing
  • Abby Kerstetter’s proposal was accepted to present at the 2016 Alaska Native Studies Conference in Anchorage. She will be reading a selection of poems from her thesis project.
  • Ivy Scherbarth, a graduate student in the Creative Nonfiction program, will have her essay “Enchantment” published in the next issue of Taproot Magazine (Issue 17: Myth).
  • Mir-Yashar Seyedbagheri’s flash piece, “Mothers and Sons” has been accepted for publication in Cease Cows (101 words). Publication date is forthcoming!
  • The Verging Cities, by Natalie Scenters-Zapico, published in March 2015 as part of the Mountain West Poetry Series by the Center for Literary Publishing, has been awarded the Great Lakes College Association’s New Writers Award. The book has also won the National Association for Chicana and Chicano Studies award for best poetry collection about a significant topic related to the Mexican-American and/or Chicana/o experience. And it is included in Poets & Writers’ annual Debut Poets feature — a “highlight of ten of the most compelling and inspiring first books of poetry published in 2015” — in the January/February 2016 issue. Karen Montgomery Moore, Katie Naughton, Melissa Hohl, and Cedar Brant were the editorial and production team.

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Brittany Goss
Content Creation Manager, Association of National Advertisers (NYC)
MFA: Fiction, 2013

How did you get from your major to the work, the life you have now?

My current day job is in the advertising industry. I write for a trade organization about best practices and new trends in the field. As far as I can tell, writing fiction and teaching persuasive rhetoric for three years is more or less the equivalent of a degree in advertising. When I graduated from CSU’s MFA program I didn’t know what to do. I wanted a job that would use my skills but wouldn’t require too much sacrifice, so that I could still do my creative work. I attended an artist’s residency and met an author who worked as an agency copywriter, and she was so enthusiastic about her work that I was inspired to move in that direction.

What do you consider to be your greatest accomplishments (both personally and professionally)?

Every time I finish a story it feels like my greatest accomplishment to date, just because it’s done. So far I have been most proud to get a story in Joyland Magazine, which led to some fortuitous meetings with other writers who are now my friends. That story was in my MFA thesis.


What did you like about the English program? Why did you choose to study here?

My favorite writing professor from college suggested that I look into the MFA program at CSU, so that put it on the radar for me. And I was very serious about researching programs; I had Kealey’s MFA Handbook all dog-eared and highlighted throughout. What he says about CSU’s program is how happy the students are. You can tell from his tone how implausible it is that a group of writers in workshops could enjoy each other’s company. I applied because I prefer nice people to jerks. It turned out to be true; CSU’s English Department is full of lovely people, and the people were what I liked most about the program.


How did your CLP internship contribute to your career path?

The job I’m in now is all about writing and publishing our own content, and trying to design an experience that’s enjoyable for the reader, so I learned a lot from the CLP internship that applies to my work. I know that it helped tremendously when I got my first job after graduate school, which was in editorial at a publishing house. The internship offers opportunities to play with design, blogging, and social media, which are all valuable for any kind of work in communications. As far as my writing, interning for a literary magazine helped me develop my instinct for good storytelling.

Do you have a favorite or funny story from your time with the English Department?

Leslee Becker is a legend. Every meeting with her was an adventure. I showed up at her house unexpectedly once with a late stack of papers when she was busy gardening, and she dropped everything to offer me a soda and chat.

Was there a specific class, professor, advisor, or fellow student who made an impression on you, helped you, or inspired you when you were at CSU in the English Department? Do you still keep in contact with your classmates or professors?

Everything I read and thought about in Sasha Steensen’s hybrid literature class continues to inspire me. I have been in touch with my classmates and professors, and some CSU graduates also live in New York. Recently, Kir Jordan and I were blessed with a visit from Joanna Doxey, who ventured into the gritty city for Moroccan food and a game of darts.


What would you like to tell prospective CSU English Department students? 

For prospective MFA students, I would say that the MFA is an intensive period of growth for you as a writer/person. Do it because you want that specific experience and not because it seems like the logical next step. It’s a personal decision that should be based on personal desires over professional goals.


What advice do you have for current CSU English Department students?

The wine pours are bigger in Fort Collins. Take advantage.

What are you currently reading, writing?

I’m currently reading Sick In the Head, Judd Apatow’s book of interviews with comedians. I’m still writing fiction and I’m also playing around with theater and screenplays.

What are your hobbies or special interests?

I like to run. I recently completed my first 10K and I see more races in my future.

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National Poetry Day was yesterday, (image by Jill Salahub).

  • The Rhetoric Society of America has accepted a panel organized by Doug Cloud titled “Tracing Effect in Social Movement Studies” for presentation at their biennial conference in Atlanta in 2016. The inter-disciplinary panel includes scholars from Kansas State University and Indiana University-Purdue University, Fort Wayne. At that same conference, he will help present a white paper on social movements authored with over a dozen other scholars from English and Communication Studies.
  • Kathryn Hulings is happy to announce that her essay, “Light,” has been accepted to appear in the 18.1 issue of Fourth Genre which will be released in February of 2016.
  • Todd Mitchell will present the Saturday keynote address at this year’s Writer’s Retreat in the Rockies. Todd will also conduct a session on Saturday focused on developing character-driven plots. The retreat is taking place from October 16th-18th in Estes Park. It’s not too late to sign up if you’re interested in meeting editors, agents, and other writers, while having a brisk weekend in the mountains. Visit the Northern Colorado Writers (NCW) website for details.
  • Airica Parker’s poem “Earth” appears in Driftwood Press 2:4, which can be viewed on electronic page 16 here: http://media.wix.com/ugd/d32313_bacfd52dc9144aa5a842ef8ba547f4c4.pdf and purchased in print here: http://www.driftwoodpress.net/#!issues/cnec
  • The Community Literacy Center has been awarded a $500 grant from the Mountain and Plains Booksellers Association to support a special 10th anniversary retrospective issue of the SpeakOut Journal.  Representative writings from each issue published since 2005 are being nominated by our six community writing groups and the project is being coordinated by English major, Sarah Rossi.
  • The Center for Literary Publishing announces the release of two new books: The Business, by Stephanie Lenox, winner of the 2015 Colorado Prize for Poetry, and A Lamp Brighter than Foxfire, by Andy Nicholson, newest addition to the Mountain West Poetry Series. Cedar Brant, KT Heins, Melissa Hohl, Abby Kerstetter, and Katie Naughton each helped bring these books to publication by handling the copyediting, typesetting, proofreading, and cover design. Both books are available from the University Press of Colorado or from Amazon.

English Department Homecoming Event 

We hope you are able to join us for the English department Homecoming event next Friday, October 16th, 2:00-4:00 PM, on our very own third floor of Eddy Hall.  We will be having a *special presentation* at 3:00 PM, outside Eddy 300, and you won’t want to miss it!  Throughout the event, we will be welcoming alumni and other special guests.  Students will be providing guided tours of our newly renovated Eddy Hall.  Did I mention that we will have cake???

 

NCTE Presents: National Day of Writing At Colorado State University

Come joing NCTE@CSU to celebrate the National Day of Writing! The theme this year is #WhyIWrite. We will be hosting a writing blackout for middle school, hight school, and college students in honor of the National Day of Writing on campus. For 30 minutes, we will sit quietly without electronics and focus on writing. NCTE@CSU will provide snacks, beverages, and prompts. Please come prepared to share ideas and discuss wriitng. We look forward to seeing you there! October 15, 2015 5:30-6:30pm, Eddy 5 (in the basement of Eddy).

NCTE National Day of Writing

 

 

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Andrew Mangan
MFA Creative Writing: Fiction, 2nd year

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Tell us a bit about yourself. Well, I’m from a small, St. Louis exurb called Festus. I served two years of college in Cape Girardeau, then enjoyed three at the University of Missouri–Columbia, from which I graduated in 2013 with a degree in English (emphasis in creative writing, fiction). I interned at The Missouri Review before CSU/Colorado Review. At any given moment, I’m probably eating a turkey sandwich.

How did you find out about the internship at the CLP? Via my boss at the Missouri Review (TMR), Evelyn Rogers; she first showed me an issue of Colorado Review (CR).

Why did you apply? I’d heard of the journal before Evelyn showed me a copy (CR had published David Foster Wallace, who I geeked out over in undergrad; here, let me quote to you from a poem he wrote in first-grade called “Vikings”…), but I hadn’t read an issue until then. It then became one of the main reasons I applied to CSU’s MFA—the chance to work there. I loved my time at TMR and wished to continue that at another blue-chip lit mag.

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What did you expect before you started? Given my experience at TMR, I had somewhat known what I was getting into—slush-pile reading, proofing and copyediting manuscript.

How has it surprised you? That it’s an intensive yet holistic experience working there. In the early stages of the internship, Stephanie would walk me through my copyedits of a piece, pointing out smart calls I’d made, as well as grievous oversights; this helped hone my eye for grammatical/syntactical/semantical/etc. mistakes and ambiguities. One of the best developments: I’ve become a better sentence-level writer working there.

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What’s a typical shift like, a “day in the life of an intern”? Most days for me are composed of reading through the either the “standard submission” queue or the Nelligan Prizes. A good number of days also involve copyediting and/or proofing pieces for the journal.

Where will we find you in five years? Still writing as I work at a literary journal, book publisher, or ad agency. Probably, I’ll be living in New York or Chicago, or some other Big City. (I look forward to stumbling upon this Q&A in five years and marveling at my old self’s naiveté and/or premonitory faculties. [Hey, future self: terribly sorry for all the mistakes me—past self—will make.])

How do you think this internship will help you in the future? It’ll help in the acquisition/retainment of the aforementioned job at a journal/publisher/ad house. Plus, it will aid in copyediting my own work, which will in turn sharpen its quality and clarity.

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What advice do you have for students who want to apply to the internship? It’s not a huge time commitment, and you’ll learn a lot. So, it’s simple: do it. (Plus, once a year we have a meeting for which Stephanie buys pizza, and that’s cool.)

Favorite CLP memory? Working the AWP booth in Seattle with other interns. We gave out fortune cookies; people loved us.


Considering doing an internship in the fall? As the spring semester winds down it can difficult to think about anything but finishing up course work, completing finals, and the promise of summer break. Even so, students may find themselves considering internships for the fall semester. The Center for Literary Publishing (CLP) Internship Program is one option for graduate students. CLP interns serve as first and second readers for the nearly nine thousand manuscripts of fiction, poetry, and nonfiction that Colorado Review receives every year. Interns also have opportunities to copyedit, proofread, and typeset; learn about book & magazine design, production, and management; gain proficiency in current industry software (InDesign, PhotoShop, Illustrator, FileMaker, WordPress, and Submittable); participate in social media campaigns; and assist in grantwriting.

Find out more about this internship.

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