Jill Salahub

Contact Information

Email: jill.salahub@colostate.edu

Office: 312 Eddy Hall

Role: Faculty

Position: Administrative Professional: Editor and Communications Coordinator


Administrative Professional, Editor and Communications Coordinator. B.A., English, Oregon State University (magna cum laude); M.A., English (Communication Development), Colorado State University, where she was granted distinction for her thesis, a hypertext entitled Fear, Happiness and the American Way: The Difficulty of a Simple Life.

Jill Salahub started at CSU as a graduate student, and during that time she worked as a tutor in the Writing Center, as a Writing Teaching Assistant, and as a Graduate Teaching Assistant. After graduating, she taught various Composition courses for the English department. From 2004 until 2010, she was the Editor/Programmer for Writing@CSU, acting as a Project Director from 2008 to 2010. She currently is an Administrative Professional: Editor and Communications Coordinator in the English department, working with the department's Facebook page and blog, and acting webmaster of both the Composition Program and Writing Center websites, among other things. She also occasionally teaches CO302 Writing Online, CO300 Writing Arguments, and CO150 College Composition.

Her academic special interests include computers and composition, professional development for teachers using technology and hypertext/hypermedia in the classroom, multimodal composition, creative nonfiction writing, and writing for the Web. She has a long history of mentoring writers and teachers of all skill levels, at each stage of their process, and enjoys helping them develop their voices.

Aside from her work at CSU, Jill is a practitioner of writing, meditation, yoga, and dog. She is a certified yoga teacher and a blogger. She is recently finished an ebook based on her Self-Compassion Saturday series, and is working on two memoirs, one about how she saved herself through practice and another about her own experience with self-compassion.


M.A. English: Communication Development CSU


All posts by Jill Salahub

CSU’s own Professor Camille Dungy is an award-winning author of four full-length poetry collections and the editor of three poetry anthologies. Her first collection of literary essays, Guidebook to Relative Strangers: Journeys into Race, Motherhood, and History, will be published in June.

Dungy was born in Denver in 1972, but her family moved frequently around the country when she was a child. She attended Stanford as an undergraduate and later received an MFA from the University of North Carolina, Greensboro.

When Dungy’s first collection of poetry, What to Eat, What to Drink, and What to Leave for Poison, appeared in 2006, it was widely praised. It was a finalist for the 2007 PEN USA Book Award and the 2007 Library of Virginia Literary Award. In 2010, Dungy published two additional poetry collections: Suck on the Marrow and Smith Blue. The collections’ recurring themes include African American identity and history, as well as nature and the human relationship to nature.

Noticing the scarcity of African American writers in canonized nature poetry, Dungy edited an anthology titled Black Nature: Four Centuries of African American Nature Poetry, which was published in 2009.

In a 2010 interview on National Public Radio, Dungy spoke about the complex relationship the anthology explores between African Americans and nature, saying, “there has always been promise and survival in the natural world” for African American people.

Dungy also collaboratively edited Gathering Ground: A Reader Celebrating Cave Canem’s First Decade in 2006 and From the Fishouse: An Anthology of Poems That Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great in 2009.

Dungy’s work has appeared in numerous literary journals and eleven anthologies to date, including The Best American Poetry and The 100 Best African American Poems. She has received fellowships and honors from the National Endowment for the Arts, the Virginia Commission for the Arts, the American Antiquarian Society, Cave Canem, the Breadloaf Writers’ Conference, the Djerrassi Resident Artist Program, Yaddo, Virginia Center for the Creative Arts, and the Norton Island Artist Residency Program. Her work has received the Dana Award, the Sustainable Arts Foundation Promise Award, and two Northern California Book Awards. She has twice been a finalist for the NAACP Image Award in 2010 and 2011.

Dungy’s most recent collection, Trophic Cascade, was released on March 7 of this year. On Sunday, March 5, friends, family, faculty, and students gathered at Forge Publick House in Old Town for the book’s release party, eager to hear Dungy read from her newest collection.

The gathering also honored recently-published poetry collections by Colorado poets Eleni Sikelanios (Make Yourself Happy) and Julie Carr (Objects from a Borrowed Confession).

Like many of Dungy’s previous works, Trophic Cascade explores and illuminates the natural world, but motherhood also features prominently as a theme. As Dungy stepped up to the microphone to read, her daughter clung to the hem of her skirt, not wanting to sit quietly with her father and grandparents while her mother read. In fact, Dungy had collaborated with her daughter in choosing poems about their relationship to read for the event. One poem dwelled on a quiet moment reading books with the infant girl; another answered a “frequently asked question” about whether the author plans to have another child. (She doesn’t.)

Camille and her daughter at the March 7 reading

The collection’s title poem, “Trophic Cascade,” was first published by the Kenyon Review in 2015. “Trophic Cascade” traces the re-introduction of wolves to Yellowstone National Park and the interconnectedness of lives and species evidenced by it; the wolves affected deer, trees, bears, birds, weasels, berries, and even insects. Throughout the collection, the reader witnesses again and again the impact one life has upon another.

Dungy has a second publication coming up this year; her first nonfiction collection, Guidebook to Relative Strangers: Journeys into Race, Motherhood, and History, will be available on June 13.

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Luci Tapahonso is a Navajo poet and a lecturer in Native American Studies. Born in 1953, she was raised on her family farm on the Navajo reservation in Shiprock, New Mexico with her eleven siblings. English was not her first language, but rather something she learned second to her native Navajo language, Dine. She learned English at home before starting school, which she attended in the area, graduating from high school in 1971.

Tapahonso was a a journalist and investigative reporter before beginning her studies at the University of New Mexico in 1976. She intended to study journalism there, but met faculty member, novelist and poet Leslie Marmon Silko, who convinced her to switch her major to creative writing. She went on to earn her MA in creative writing, and then to teach.

Silko helped Tapahonso publish her first story, “The Snake Man”, in 1978. Her first collection of poetry, put together when she was an undergraduate, was published in 1981. Several more collections followed, as well as individual poems published in various journals. Her 1993 collection Saánii Dahataal (the women are singing), written in Navajo and English, was the first collection to bring her acclaim and recognition, which continued with her 1997 blue horses rush in. Her book of poetry A Radiant Curve was awarded the Arizona Book Award for Poetry in 2009.

In 2013, Tapahonso was named the inaugural poet laureate of the Navajo Nation. Announcing the appointment at a press conference, Elmer Guy, president of Navajo Technical College, said that the goal of designating a chief poet is “to encourage other Navajo poets, writers, film makers and artists to realize how important their work is to the continuance and growth of Navajo contemporary culture. Luci represents the best of what it is to be Diné, honoring our traditions, while at the same time forming a contemporary voice that speaks beautifully to all people.”

Tapahonso continues to teach; has served on various boards, committees, and commissions; and is a sought after speaker. She received the 2006 Lifetime Achievement award from the Native Writers Circle of the Americas and a Spirit of the Eagle Leadership Award for her key role in establishing the Indigenous Studies Graduate Studies Program at the University of Kansas. The Native Writers Circle of the Americas named Tapahonso the 1999 Storyteller of the Year. She has also received a Kansas Governor’s Art Award, and Distinguished Woman awards from the National Association of Women in Education and the Girl Scout Council of America.


Video: a 2013 interview with Luci Tapahonso

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Suffragists Protest Woodrow Wilson’s Opposition to Woman Suffrage, October 1916

Earlier this month, we featured Sojourner Truth, an abolitionist and women’s rights activist. Today we are featuring a few other early women involved in similar issues: Lucretia Mott, Harriet Beecher Stowe, Elizabeth Cady Stanton, and Lucy Stone.

Lucretia Mott

Lucretia Mott was an American Quaker, abolitionist, a women’s rights activist, and a social reformer. Her speaking abilities made her an important figure in these movements. Mott helped form the Philadelphia Female Anti-Slavery Society in 1833. When slavery was outlawed in 1865, she advocated giving Black Americans the right to vote. She was was among the founders of the American women’s rights movement, and remained a central figure in both the abolition and suffrage movements until her death in 1880. Mott’s feminist philosophy was outlined in her Discourse on Women, in which she argued for equal economic opportunity and voting rights. After helping to establish Swarthmore College in 1864, she served as head of the American Equal Rights Association.

Harriet Beecher Stowe

Harriet Beecher Stowe was an American abolitionist and author. She published over 30 books, but is best known for her novel Uncle Tom’s Cabin. She wrote children’s text books, advice books on homemaking and childrearing, biographies and religious studies. Stowe began her formal education at Sarah Pierce’s academy, one of the earliest to encourage girls to study academic subjects and not simply ornamental arts. As a student there, Stowe followed the traditional course of classical learning usually reserved for young men. She eventually became a teacher, until her success with Uncle Tom’s Cabin allowed her to write full time. The book was a best seller in the United States, Britian, Europe, Asia, and translated into over 60 languages. Stowe’s writing career spanned 51 years.

Elizabeth Cady Stanton

Elizabeth Cady Stanton was an American suffragist, social activist, abolitionist, feminist, writer, editor, and leading figure of the early women’s rights movement. She helped organize the world’s first women’s rights convention in 1848, and formed the National Women’s Loyal League with Susan B. Anthony in 1863. Seven years later, they established the National Woman Suffrage Association. Stanton wrote some of the most influential books, documents, and speeches of the women’s rights movement. In support of her argument that the Bible and organized religion played in denying women their full rights, with her daughter she published a critique, The Woman’s Bible, which was published in two volumes. She also wrote her autobiography, Eighty Years and More, and many other articles and pamphlets about female suffrage and women’s rights.

Lucy Stone

Lucy Stone was a prominent American orator, abolitionist, and suffragist, and a vocal advocate and organizer promoting rights for women. She supported the Women’s National Loyal League, and in 1866 helped found the American Equal Rights Association. She also organized and was elected president of the State Woman’s Suffrage Association of New Jersey, and spent her life serving the cause. Stone wrote extensively about a wide range of women’s rights, publishing and distributing speeches by herself and others. She was the first woman from Massachusetts to earn a bachelor’s degree, paying her own way through school and graduating in 1847 with honors. She had a career as a public speaker, speaking out about abolition and women’s rights, at a time when women were discouraged and even actively prevented from public speaking. While Stone did live to see the end of slavery, she died 30 years before women were finally permitted to vote.




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Author and cartoonist Alison Bechdel was born in Beech Creek, Pennsylvania, to Helen and Bruce Bechdel. Bruce, her father, operated a funeral home part time, which Alison and her brothers, Bruce and John, called the Fun Home.

At the age of 19, she came out to her parents as a lesbian. A later conversation with her father revealed his intimate past with other men. This discovery brought more questions than answers when Bruce committed suicide shortly after, although Bechdel says “there’s no proof [just] some suggestive circumstances.”

Graduating high school a year early, she attended Simon’s Rock College before transferring to Oberlin College in Ohio. In 1981, she received her degree in studio arts and art history.

Bechdel first garnered success for her comics with the strip Dykes to Watch Out For, first published in 1983 in the feminist newspaper WomaNews. Her comic strip ran until 2008, becoming one of the first representations of lesbians in popular culture. The strip follows a group of diverse characters, most of them lesbians, as they experience life, love and politics. As Bechdel explains on her website, the comic “became a countercultural institution among lesbians and discerning non-lesbians all over the planet.”

Her closeted childhood was the basis for her autobiographical cartoon Fun Home, released in 2006. Fun Home chronicled Bechdel’s childhood, including her father’s obsession with restoring their Victorian Gothic Revival house and her journey to discovering her identity as a lesbian. Fun Home was then turned into a musical in 2013. Two years later, it won the Tony Award for Best Musical. Bechdel was also the recipient of the 2014 MacArthur “Genius” Award.

Bechdel is known for “the Bechdel test” for spotting gender bias in literature or film. To fulfill this test, the work must feature at list two girls/women who talk to each other about something that’s not a boy/man. Only about half of all films meet this requirement, calling attention to the gender inequality still present portrayals of women in literature and film.

Alison Bechdel become a voice for lesbians and the queer community, drawing attention to gender bias and the lives of LGBT people. Her autobiography provided the literary world with one of the first detailed coming out narratives, something that continues to help and inspire others.

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(Left to Right) Tiffany, Mackenzie, Emily, Danny, Leah, Katherine, and Kiley

Today’s Humans of Eddy doesn’t feature one person, but a group of humans who make their home in Eddy. These lovely individuals are some of Eddy’s own Writing Center consultants. The Writing Center is made up of 17 consultants who are both undergrad and grad students with various degree backgrounds.

Where are you located?
The CSU Writing Center is located in the basement of Eddy, room 23, Monday through Thursday.

What does the Writing Center do?

Our consultants can assist writers at all stages of the writing process, including brainstorming, drafting, revising, and polishing. Our clients come from all types of disciplines, with writing that ranges from research papers and essays to lab reports, resumes, and applications. There are three types of consultations: face-to-face appointments, online draft submission, and synchronous video conferencing for online and off-campus students. As our website says, we work “to help create better writers, not just better writing.”

How can a student make an appointment?
Visit our website at writingcenter.colostate.edu and click “Make and Appointment.” If you don’t already have an account, you can quickly register for one to access our availability. Or feel free to stop by our office for any questions or assistance. We have coffee and tea and great conversation!
Favorite words from various consultants:  

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~from Communications Coordinator Jill Salahub

Disclaimer: I’m completely obsessed with Roxane Gay right now. I finally started Bad Feminist recently, which I’d been wanting to read ever since that time a few years ago at a department picnic when I asked Antero Garcia (who at the time was a CSU English department faculty member) about his t-shirt, which said “Bad Feminist.” I didn’t get what I thought was the joke of his shirt, and he explained to me it was a book. I went home and googled Roxane Gay, but it would be two more years before I’d read any of her books.

I’m almost done with Bad Feminist. It rests on my kitchen table, and anytime I sit down there, I read another essay or two. I know I’m late to the party, but this book is brilliant in the way that it merges academic critique, pop culture commentary, and personal experience. The only “failure” of the book is that I can’t sit down with Gay at my kitchen table after I read any of it to talk with her further. To say it is “thought provoking” doesn’t even begin to cover it. The book was a New York Times best-seller, and a Time magazine reviewer called it “a manual on how to be human.”

I just finished Difficult Women and An Untamed State, and am almost done with Ayiti. They are on my Kindle, which I use mostly to read in bed at night after my husband and dogs are asleep. Over the past month, I’ve spent many a night falling asleep in its glow because I try so hard to stay awake, want so badly to keep reading even as my body shuts down. Difficult Women in particular had a haunting effect on me. Days after reading a particular story, I’d still be thinking about it. There were a few of the stories that held me in such a fugue that when I got to the end, I momentarily couldn’t remember what I was reading or who had written it — because I’d been so thoroughly IN it, lost in the story completely.

Harper Collins says of her upcoming Hunger: A Memoir of (My) Body,

With the bracing candor, vulnerability, and authority that have made her one of the most admired voices of her generation, Roxane explores what it means to be overweight in a time when the bigger you are, the less you are seen. Hunger is a deeply personal memoir from one of our finest writers, and tells a story that hasn’t yet been told but needs to be.

And finally there is World of Wakanda, a spin-off from Marvel’s Black Panther title, making Gay one of the first black women to be a lead writer for the publisher. She’s also published multiple essays, stories, commentaries, and articles in various publications and collections.

Roxane Gay is an American feminist writer, professor, editor and commentator. She was born in Nebraska to Haitian parents. Her family moved around a lot when she was younger, so she found solace in books, started writing when she was four. “I was a loner, shy and awkward,” but she was close with her two siblings, two younger brothers, and had a happy childhood. It ended with a violent sexual assault by a group of boys when she was 12, a subject she’s written about both in fiction and non-fiction. She says that what happened, “was as bad as you might expect. I came home a completely different person.” In her 2015 TED Talk, Gay said,

There was an incident. I call it an incident so I can carry the burden of what happened. Some boys broke me, when I was so young, I did not know what boys can do to break a girl. They treated me like I was nothing. I began to believe I was nothing. They stole my voice, and in the after, I did not dare to believe that anything I might say could matter.

But — I had writing. And there, I wrote myself back together. I wrote myself toward a stronger version of myself. I read the words of women who might understand a story like mine, and women who looked like me, and understood what it was like to move through the world with brown skin. I read the words of women who showed me I was not nothing. I learned to write like them, and then I learned to write as myself. I found my voice again, and I started to believe that my voice is powerful beyond measure.

Through writing and feminism, I also found that if I was a little bit brave, another woman might hear me and see me and recognize that none of us are the nothing the world tries to tell us we are.

Video: Roxane Gay’s TED Talk, “Confessions of a Bad Feminist”

In her mid-teens, she went to an exclusive boarding school, where a teacher saw in her writing both a promising talent and a very troubled person. He facilitated her getting help and encouraged her as a writer. “He taught me craft, and he also taught me discipline. He told me to write every day. I was very impressionable, and so I write every day.” Gay wrote erotica in her early 20s, before shifting to literary fiction and non-fiction as she completed her graduate degrees and started her teaching career. “Although she obviously wishes the rape had never happened, she knows it has shaped her as a writer. ‘I don’t think I would have a fraction of the fierceness in my writing if I hadn’t had to endure that, and the aftermath,’ she says,” (Roxane Gay: meet the bad feminist).

For Gay, writing is a way, “to think through what it means to be in this world.”

I definitely write to reach other people, but I write for myself first. I don’t mean that in an arrogant way. It’s just that this is me trying to make sense of my place, and how did I get here, and why am I so lucky in some ways, and so unlucky in others? So it starts with me, and then I move beyond the self, as much as I can.

As an adult, besides being a teacher and a writer, and a popular speaker, Gay is also a competitive Scrabble player.

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Even though she didn’t learn to speak until she was 3.5 years old, Temple Grandin is the author of six books, including the national bestsellers Thinking in Pictures: My Life with Autism and Animals in Translation: Using the Mysteries of Autism to Decode Animal Behavior. She is a professor of Animal Science at Colorado State University, a prominent and widely cited proponent for the humane treatment of livestock for slaughter, and a world-renowned autism spokesperson. Grandin has a bachelor’s degree in human psychology, as well as a master’s and doctoral degree in animal science. In 2010, Grandin was named one of Time Magazine’s 100 most influential people of the year. In 2016 she was inducted into the American Academy of Arts and Sciences. An HBO movie based on her life received seven Emmy Awards.

Just last month, she was named to the National Women’s Hall of Fame, one of only 10 women to receive the honor this year. Betty M. Bayer, the Hall’s co-president, said “We are pleased to add 10 American women to the ranks of inductees whose leadership and achievements have changed the course of American history.” CSU President Tony Frank said,

Honoring Dr. Temple Grandin in this esteemed group of women not only speaks to the power of her research and advocacy, but also her impact as a role model for young women everywhere. Early in her career, her determination helped her break into what was a largely male-dominated animal production industry, and she continues to serve as an advocate for women in the sciences, for young people with autism, and for anyone unwilling to let artificial boundaries stand in the way of their personal and professional success.

Video: Temple Grandin’s 2010 TED Talk, “The World Needs All Kind of Minds.”

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S.E. Hinton in 1967, the year The Outsiders was first published.

50 years ago, a 16 year old from Oklahoma named Susan Eloise Hinton published her first book. She’d started writing it when she was 14, and it became the best selling young adult novel of all time.

I began writing in grade school, eager to make my own stories happen the way I wanted to. I had access to the local library, but my family thought my writing was some weird phase I would outgrow. I had some great English teachers who encouraged me through grade school, middle school, high school. I also made a D in creative writing the year (junior in high school) I wrote The Outsiders.

Her contract for The Outsiders arrived the day she graduated high school, and because she wasn’t yet 21, her mother had to sign too. She originally began working on the book because “I wanted to read a book that dealt realistically with teen life as I saw it.” Her publisher recommended releasing the book under “S.E. Hinton” instead of her actual first name, because a book written by a teenage girl might “throw some of the boy readers off.” She continued later to publish under that name, to both take advantage of the fame she’d earned with it (“I made the name famous. I’m not gonna lose it.“) and to keep her private life protected and separate (“I like having a private name and a public name. It helps keep things straight.”).

The Outsiders still sells half a million copies every year, but is also challenged by conservative groups frequently enough to earn it a place on the American Library Association’s banned books list — which doesn’t bother Hinton because “It’s been required [and shared] much more than it’s been banned.” The book was adapted and made into a movie, along with other books of hers. In honor of the book’s golden anniversary, Penguin Random House released a 50th Anniversary Edition in 2016. It not only contains the classic tale, but also bonus material and photographs.

Hinton completed college and was certified to teach, but, “I realized early on I wasn’t cut out to be a teacher. Teachers are my heroes. They have more guts and energy than I’ll ever have.” She got married (she met her future husband in her biology class her freshman year of college), had children, and continued her writing career instead.

In 1988, Hinton received the first Margaret A. Edwards Award for lifetime achievement in writing for young adults. Ten years later, she was inducted into the Oklahoma Writers Hall of Fame at the Oklahoma Center for Poets and Writers. Altogether, she wrote five Y.A. novels, all set in Oklahoma, as well as two children’s books, and two books for adults, a novel and a collection of short stories.

Hinton continues to write, working on screenplays and “an adult paranormal comedy thriller.” Her advice?

Aspiring authors: Read and practice. Worry about the writing, not the publishing. Publishing is changing rapidly. Make sure you have something worth publishing before you try. I was writing constantly for eight years before I wrote The Outsiders. If you’re young, you will have to come up with a book as good as the adults are publishing. Nobody is going to say “pretty good for a fourteen-year-old” and invest in a book. It has to be good.

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Adrienne Rich was a poet, non-fiction writer, essayist, and feminist, credited with bringing “the oppression of women and lesbians to the forefront of poetic discourse.”

Rich was encouraged especially by her father to read and write poetry. Her first collection of poetry, A Change of World, published during her last year as an undergraduate at Radcliffe College, won the Yale Series of Younger Poets Award. Upon graduation, she received a Guggenheim Fellowship to study at Oxford for a year. After her marriage, publication of her second book of poetry, and the birth of three sons, Rich’s life and work began to change She received the National Institute of Arts and Letters award (1960), her second Guggenheim Fellowship to work at the Netherlands Economic Institute (1961), and the Bollingen Foundation grant for the translation of Dutch poetry (1962), and published her third collection of poetry which marked a shift in her style and subject matter.

Moving her family to New York in 1966, Rich became involved with the anti-war, civil war, and feminist movements. Her three poetry collections published during this time reflect her increasingly radical political content.

About Rich’s work, the poet W.S. Merwin has said, “All her life she has been in love with the hope of telling utter truth, and her command of language from the first has been startlingly powerful.” In answer to the question “Does poetry play a role in social change?,” Adrienne Rich once answered:

Yes, where poetry is liberative language, connecting the fragments within us, connecting us to others like and unlike ourselves, replenishing our desire. . . . In poetry words can say more than they mean and mean more than they say. In a time of frontal assaults both on language and on human solidarity, poetry can remind us of all we are in danger of losing—disturb us, embolden us out of resignation. (http://www.newyorker.com/books/page-turner/adrienne-richs-poetic-transformations)

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Amy Krouse Rosenthal poses for a photo Aug. 1, 2016, in Chicago. (Image by Kevin Nance / Chicago Tribune, via Associated Press)

If you have young children who love to read, you may already know Amy Krouse Rosenthal, maybe without even realizing it — she’s a best selling author of over 30 award-winning books beloved by children, including “Duck! Rabbit!,” “Spoon,” “Yes Day!,” “Little Pea,” and “The Wonder Book,” (see a full list here). She brought joy to so many kids over the years, this being just one of them:

“Rosenthal was a Tufts University graduate who worked in advertising for several years before she had what she called a ‘McEpiphany’: She was with her kids at McDonald’s when she promised herself that she would leave advertising and become a writer,” (Associated Press). After that, she published at least one book a year, sometimes even three or four.

She also wrote various journals and two memoirs for adults, The Encyclopedia of an Ordinary Life and Textbook Amy Krouse Rosenthal, and was a filmmaker. She has been known for her random acts of kindness and instigating community projects, such as Beckoning of Lovely. One of her most recent personal projects was something she called “Project 1,2,3.” In it, she challenged herself to daily come up with something that could be shared in a list of three. She’d post it at 1:23 pm and she started on 12/3 of 2016. She made it to Day #61, and shared the project on her Instagram account.

You may have also seen one of Rosenthal’s TED Talks, either “The Crevices of Life” (San Diego, 2011), or “7 Notes on Life” (SMU, 2012).

Most recently, you may have read her heartbreaking and viral Modern Love essay in The New York Times, You May Want to Marry My Husband. She wrote it in honor of Valentine’s Day, and it was published on March 3rd. Dan Jones, who edits the column, said it’s one of their most popular ones ever. In it, Amy seeks a future partner for her husband because, as she reveals in the essay, she is dying from ovarian cancer and, “I probably have only a few days left being a person on this planet.” She died at home ten days after the essay was published — just yesterday. Her husband said in a written statement,

It is Amy’s gift with words that has drawn the universe in. I am not surprised that her “Modern Love” essay in the New York Times has garnered the attention it so deserves. I didn’t know exactly what she was composing but I was with her as she labored through this process and I can tell you that writing the story was no easy task. When I read her words for the first time, I was shocked at the beauty, slightly surprised at the incredible prose given her condition and, of course, emotionally ripped apart.

Rosenthal described herself simply as, “a person who likes to make things.” Her longtime literary agent, Amy Rennert, said Rosenthal “was the most life-affirming person, and love-affirming person.” Fellow author John Green, (who credits her with helping to start his career by asking him to write and record an essay for WBEZ) tweeted: “She was a brilliant writer, and an even better friend.” Green also has said her work shows that “If you pay the right kind of attention, the mundane becomes beautiful.” In The New York Times Book Review in 2009 Bruce Handy said of her work, “Her books radiate fun the way tulips radiate spring: they are elegant and spirit-lifting.” Maria Modugno, her editor at Random House, said, “Amy ran at life full speed and heart first.”

Rosenthal herself said, “Invariably, I will have to move on before I have had enough. My first word was ‘more.’ It may very well be my last.”

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